The quietness about the Cau Song Be mission was about to end
after 41 years.
Late on the morning of May 5, 2008, I received an email
note from Bernadette Ross of Windfall Films in London. It followed a note I had
received several days before from Michael O’Neill, president of the
Distinguished Flying Cross Society.
In the note, O’Neill asked if he could tell a television
crew about a mission I had flown in Vietnam. “Sure,” I replied, though I did
not expect to hear anything. Tens of thousands of missions were flown by U.S.
helicopters during the Vietnam War. The odds were against any of my missions being
selected.
“Mr. O'Neill,
President and CEO of the DFCS was kind enough to put us in touch,” Bernadette’s
letter began. “He has mentioned that Windfall films is making a series about
Helicopter Missions for Channel 5 (UK Network)/National Geographic/The
Smithsonian Channel. We hope to examine the role of the helicopter, the pilot
and the crew and explore the skills and innovations in flying techniques that
made their particular missions a success.
“I would like to
give you a call at your convenience where I can explain a little about the
approach of the programme and to have a research chat with you about your
particular experiences. If you could let me know a good number and a time to
call you and I'll happily follow up,” she continued.
I later learned Bernadette was the associate producer of a
4-part documentary series Windfall Films planned to illustrate combat helicopter
missions during the Vietnam War, the Falklands War, the war in Afghanistan, and
the Iraq War. The film company was interested in the May 1967 Cau Song Be rescue
because of the continuing nature of the mission.
Larry Liss, copilot of the other UH-1D “Huey” helicopter on
the mission, phrased it more practically: The film company needed a story that
would fill an hour. Normally a medical evacuation would last about 10 minutes.
During the Cau Song Be mission, our 2 Hueys made 5 trips
into the landing zone to extract survivors of the South Vietnamese CIDG
company. Additionally, Tom Baca, the aircraft commander of the other Huey, and
Larry medically evacuated 6 soldiers from the landing zone before our 2 flight
crews made the extraction.
Michael O’Neill of the DFC Society had referred our mission
to Windfall Films based on a write-up I had sent to the Society for its
newsletter. Like many veterans’ groups, the Society asks members to submit
articles on their wartime experiences, in particular the experience that led to
the award of the Distinguished Flying Cross.
Tom Baca also was corresponding with Bernadette Ross at
Windfall Films.
A chain of events had led Windfall Films to our mission.
About the same time, another chain of events began to pull the helicopter
crewmembers and former Special Forces advisors at Cau Song Be into view.
Tom Baca’s twin brother, Jim, was running for New Mexico
state land commissioner in 2006. During a campaign swing through southeastern
New Mexico, Jim called and asked me to join him for breakfast. The conversation
turned to the Cau Song Be mission. “Would you send me a write-up on the mission
you and my brother flew?” Jim asked.
On April 7, 2006, Jim published an article in his “Only in
New Mexico” blog. During the next week, Jim received emails from 2 of the
participants in the mission: Al Croteau, who had flown as door gunner on my
Huey during the rescue, and James Dopp, medic at the Cau Song Be Special Forces
Camp in May 1967.
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James Dopp — along
with camp commander Captain Wallace “Wally” Johnson — had accompanied Tom and
Larry on the medical evacuation, then cared for the wounded soldiers we brought
to the Cau Song Be camp hospital during the rescue.
Decades before, I had attempted to find Al Croteau. I knew
he lived near Boston, but nothing else. Several searches had proved
ineffective. Now Al had read Jim Baca’s blog and sent him an email. Jim passed
it on to me.
James Dopp had moved to Central America after leaving the
Army. He, too, had read Jim Baca’s blog and responded with am email. Jim
forwarded the Dopp email to his brother, and then Tom had contacted James Dopp
and received a response.
Tom Baca and Larry Liss had communicated with one another
over the years, after serving together as instructor pilots at Fort Wolters,
Texas, during the late 1960s.
Tom Baca and I were exchanging emails and telephone calls
with Bernadette Ross and Richard Max, director of the planned Helicopter Wars
series. The film company was interested in our mission, but would like to meet
with us.
CONTINUED
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